Shylock and Antonio are just one pair of culprits adding to the ultimate imperfection of Venice. If one were to momentarily forget the real world, one would be trampled down by its massive stampede of events, bonds, et cetera constantly being made, ubiquitously in its domain. (Paradise lost.) Alas, as Auden suggests, there are no utopias. Despite Belmont’s perfection, a bit of justified hatred from Venice would ruin its innocence. The impeccable world is the fairy-tale city of Belmont. The flawed world is the materialistic and bustling city of Venice. However, utopias like that are nonexistent thus, one can easily look around, like Auden, and exclaim, “No hatred is totally without justification, no love is totally innocent.” In The Merchant of Venice, there is an imperfect world, as well as a perfect world. In a perfect world, hatred would be without justice love would be totally innocent. The Merchant of Venice is Far from Perfect In a casual but seminal essay on the play, Auden calls The Merchant of Venice one of Shakespeare’s “Unpleasant Plays.” The presence of Antonio and Shylock disrupts the unambiguous fairy-tale world of romantic comedy, reminding us that the utopian qualities of Belmont are illusory: “in the real world, no hatred is totally without justification, no love totally innocent.” “Brothers and Others.” “The Dyer’s Hand” and Other Essays. Englewood Cliffs, N.J.’s Dystopia – The Merchant Of Venice Is Far From Perfect Essay, Research PaperĪuden, W.H. York: MacMillan Publishing Co., Inc., 1974. Hallīarrows, Marjorie Wescott, ed., et al. New York: Random House, 1968.īahlke, George W., ed. It is the age of belief in the possibility of a future 3. Naive belief in self and place in life is boundless d.
Age at which man realizes "his life-bet with a lying self" c. Child is "helpless in cradle and / Righteous still" but already has a "Dread in his dreams" 2. Malin asks the reader to "Behold the infant" b. Others support Malin's theories by drawing from past, present, and potential future experiences C. Controls the characters through his introduction of each age B. First act of Part II, "The Seven Ages" A.
Emble passes his youthful judgment on the others' follies V. Rosetta endeavors to create an imaginary and happy past 4. Malin examines the theoretical nature of man 3. Quant views himself with false admiration 2. Characters think aloud to reveal their nature 1. "The Age of Anxiety" character analysis A. Their belief to be in Purgatory when they are allegorically in Hell 2. Characters' views on the general situation 1. Characters' inevitable failure in the quest B. Characters' search for self-actualization 2. The themes and ideas in Auden's "The Age of Anxiety" reflect his belief that man's quest for self actualization is in vain.
0 kommentar(er)
